Posts Tagged ‘Jennifer Lawrence’

In nutshell: Battle Royale. Without the blood.

Popcorn rating: 4/5

Joining the growing racks of dystopian films comes The Hunger Games, an adaptation of Suzanne Collins’ excellent novel of the same name. Set in the totalitarian future nation of Panem, The Hunger Games are, well, just that, games. And not ones your mum would let you play either…

The premise is this. Panem’s powerless 12 districts are ruled by the wealthy Capitol, a place where the lucky and the fashionable live charmed lives. So long as they abide by the rules. Under Capitol law, and to forever punish the people of the districts for an historic and failed rebellion, each year a boy and a girl from each district are chosen to take part in the televised Hunger Games, a fight to the death.

The film’s heroine du jour is 16-year-old Katniss (the excellent Jennifer Lawrence), who volunteers to take the place of her little sister in the games and finds herself pitted against allies she may ultimately have to kill, as well as enemies stronger, although not always smarter, than she is.

It’s an interesting, if not unique, premise. The same goes for many of The Hunger Games other ideas in fact. From 1984 to The Truman Show to The Fifth Element to Battle Royale, there is nothing new here. Of course, that’s not to say The Hunger Games isn’t entertaining in its own right, because it is – after all everything from rom-coms to crime thrillers are often a reworking of the same old, winning formula.

The Hunger Games stays close to its source material – not always an easy job with no voiceover to provide the clarity of the novel’s first person narration. On screen, information is revealed in gentle touchs, a nightmare, a fragmented memory, a TV insert, which explains just enough to keep you up-to-date.

It also looks good. The Capitol’s wealth is suitably dazzling and the fashion, snigger inducing (of particular note is lead Gamekeeper Seneca’s beard), while the down-at-heel districts are pitiful in their earthy poverty, their silent heartbreak. The general lack of CGI is also refreshing, making this world and its people seem all too possible.

On the downside, it is difficult to get into peoples’ heads – the tributes and their loved ones seem strangely subdued when their names are called, there is little discussion of the class system, little portrayal of how the tributes feel as they prepare to kill and be killed, in the name of entertainment. In fact, the other tributes barely get any screen time, presented merely as puppets to be killed off, with the result that their deaths lack impact. This may have helped garner that all important 12A rating but it’s when The Hunger Games is at its darkest, that it’s at its best – the Cornucopia “bloodbath”, a plate of berries, a young girl shaking as the seconds count down.

The Hunger Games has been compared to Battle Royale and, it is easy to see why, with both movies pitting teenagers against one another. There is one major difference. For while The Hunger Games is a good film, well acted and certainly well worth seeing, it is forgettable. Battle Royale is not.

Reviewer: CurlyShirley

Advertisements

Winter’s Bone

Posted: November 25, 2010 by aoifewantonmovielover in Film
Tags: , , , ,

In a nutshell: It’s noir country for young women – gritty, realistic, lethargically paced: just like Transformers 2, then.

Popcorn rating: 4/5

A gritty exposure of America’s unseen underbelly may seem an odd choice of viewing for a transatlantic flight – especially when they have Twilight’s Eclipse on offer – but the punishing air pressure and limited leg room only enhanced viewing of the gorgeous Winter’s Bone.

Debra Granik’s second feature takes you to Missouri’s Ozark mountains; an America far away from McDonalds and the affluent high rises. In a tight-knit community struggling against the elements, residents survive the bleak conditions and the crippling poverty by cooking and using crystal meth, affectionately known as ‘crank’.

As sole carer for her much younger brother and sister, 17-year-old Ree Dolly (Jennifer Lawrence) must contend with raising them and taking care of her catatonic mother. When the sheriff arrives at their door to tell them that her errant, meth-abusing and manufacturing father has skipped bail after placing their house as surety, it’s just another blow. If he doesn’t arrive at a hearing the following week they will be turned out of their home. Determined to track him down, Ree begins knocking on doors and as the initial frosty reception she receives grows more threatening, she starts to suspect his disappearance may be permanent.

Adapted from Daniel Woodrell’s – who coined the term noir country – novel Winter’s Bone is steeped in mystery, malevolence and blessed with a strong lead in Jennifer Lawrence; coming to a multiplex near you soon in the X-men reboot.

Cinematographer Michael McDonagh captures the stunning, foreboding beauty as Lawrence’s Ree – understated and courageous treks through a cold climate and an even colder reception from her ‘relatives’.

Focusing on family, community, strength and survival, Winter’s Bone does not play for thrills, despite being thrilling. Instead it assumes an unhurried and underplayed canter and succeeds with a walloping impact. At times beautiful while grisly, always powerful yet subdued, Winter’s Bone is a challenging watch, but haunting and worth the emotional investment. In-flight meal optional.

Reviewer: aoifewantonmovielover